On the third stroke of the bell the visual stillness of the scene is broken as the title character, the boy who is never named, exits the building on the right, sprinting as though his life depends on it.Īfter the fourth toll of the bell we see the boy much more closely. The only sound is the deep and resonant ring of a deep church bell. The first image we see is of an isolated stark white building in the mountains, with a narrow tower that resembles a skyscraper design, though much smaller. The film this week is Run Boy Run by Woodkid, a black-and-white fantasy thriller chase. This is one of a series of articles wherein I examine a music video as a short film, focusing on the story rather than the music, trying to identiy the story arcs and characters motivations, and consider the larger implication of events.
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